Western Pilgrims to 'Akká

In *The Diary of Juliet Thompson* the painter records the evening in 1912 when 'Abdu'l-Bahá visited her dying friend Marjorie Morten in her sickroom — and the strange peace that, by the next morning, had taken the place of the household's prepared grief.

In *The Diary of Juliet Thompson* the painter records an evening in New York in the summer of 1912 when, after one of the great public meetings, she found herself walking beside 'Abdu'l-Bahá through the dark streets — and the silence in which the most carrying conversations sometimes pass.

In June 1912 in New York, the painter Juliet Thompson was given an unprecedented privilege: 'Abdu'l-Bahá agreed to sit for her. The Diary preserves the moment He stopped her on the street, took her hand, and said *come tomorrow and paint;* and the cramped basement studio where He asked her to paint not the man but the *Servitude.*

In *The Diary of Juliet Thompson* the young American painter records her first encounter with 'Abdu'l-Bahá in Paris in 1901 — a small upstairs room, a single Persian voice, and a recognition that would, in time, organise the rest of her life.

In *The Diary of Juliet Thompson* the painter records a small scene in New York in 1912 when, having confessed to the Master one of her own besetting sins, she expected reproof — and received instead the quiet laughter that, in His mouth, was the most disarming form of mercy.