Bahai Story Library
A Light in the Darkest Hour: The Fire Tablet
“Out of the depth of His own affliction He revealed the certainty of the dawn — and the long night gave way, in the closing verses, to the rising of the Light.”
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"The earth is but one country, and mankind its citizens."
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Bahai Story Library
“Out of the depth of His own affliction He revealed the certainty of the dawn — and the long night gave way, in the closing verses, to the rising of the Light.”
*A retelling based on **The Revelation of Bahá'u'lláh** by Adib Taherzadeh, the standard study of Bahá'u'lláh's Tablets and ministry. Short phrases in quotation marks are words preserved in that work.*
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There is a Tablet of Bahá'u'lláh that the Bahá'í world knows by the name of its opening words — the Fire Tablet — and to understand its power one must first understand the darkness out of which it came.
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The early years of the imprisonment in 'Akká were, Adib Taherzadeh writes, the most grievous of Bahá'u'lláh's whole life. The little band of exiles had been shut into the barracks of a penal city. Sickness had swept through them; several had died. The townspeople, told that these prisoners were enemies of God and of the state, shunned them and reviled them.
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The believers in Persia who longed for news of their Lord could not reach Him; some who walked the whole long way on foot were turned back at the gates and allowed only to gaze from a distance at a window where He might appear.
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And into that affliction came a wound deeper than all the rest. Bahá'u'lláh's faithful younger son, Mírzá Mihdí — whom He named the Purest Branch — fell one evening through an open skylight as he paced the prison roof, absorbed in prayer, and was fatally hurt.
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As he lay dying, his father offered him the gift of life restored; but the young man begged instead that his life might be accepted as a ransom, that the gates barred against the believers might one day be opened so that the friends could attain the presence of their Lord. Bahá'u'lláh accepted the sacrifice. His son died. The pilgrims, in time, did come.
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It was in this season — the household in mourning, the enemies triumphant, the faithful kept far off — that the lamentation of certain of the believers rose to Bahá'u'lláh, asking why the loyal should suffer so while the wicked prospered. And it was in answer to that cry, Taherzadeh recounts, that He revealed the Lawḥ-i-Qad-Iḥtaraqa'l-Mukhliṣún — the Tablet that opens with the words "The true ones are burnt up in the fire of separation."
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The Tablet is built as a long and rising dialogue between grief and assurance. Verse after verse, a voice pours out the sorrows of the age — the betrayal of the sincere, the silence of the heavens, the loneliness of the One who has come to save a world that turns away. And verse after verse, that grief is answered, each time, by the summons to turn the face toward God and to trust His unfailing power.
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The lament is not suppressed; it is given its full weight, and then it is lifted. The reader is led down into the deepest places of anguish and shown, in the same descent, the hand that holds them.
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Then, at the very end, the long night breaks. The closing verses turn from mourning to triumph. The voice that has wept through the Tablet declares, at the last, the rising of the dawn — that the Day-Star of certitude has appeared above the horizon of God's grace, that the chosen ones will be made victorious, that the very fire of affliction has become, for those who love Him, a light. What began in the burning of separation ends in the radiance of nearness.
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Taherzadeh draws out the wonder of this. The Fire Tablet was revealed at the hour of Bahá'u'lláh's deepest desolation, from inside the prison-fortress where every outward sign pointed to defeat — and it is one of the supreme assurances of victory in the entire body of His Writings. The glory of His Cause did not wait for the affliction to end before it shone; it shone out of the affliction itself.
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He had been buried, by the decree of two empires, in the worst place they possessed, and from that place He sent up a song whose ending is the certainty of the morning.
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That is why the Tablet has gone on to console the Bahá'í world ever since, recited in seasons of grief and trial across more than a century. Those who turn to it in their own dark hours are reading words that were not composed in comfort. They were drawn from the very heart of suffering, by One who looked through the night and saw, already, the light that was coming.
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Out of the depth of His own affliction He revealed the certainty of the dawn — and the long night gave way, in the closing verses, to the rising of the Light.
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*This is a retelling. For the fuller account, see **The Revelation of Bahá'u'lláh**, Vol. 3, by Adib Taherzadeh.*
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Source
by Adib Taherzadeh · 1983 · George Ronald